Inside the Jagannath Temple, different idols of Lord Jagannath include Patitapaban Jagannath at the main entrance for devotees who cannot enter, Tirtheswar Jagannath symbolizing the Lord of pilgrimage sites, Neelamadhab Jagannath representing the ancient blue-colored deity, and Bata Jagannath at the Bata Ganesh temple, symbolizing the deity as a protector. Each idol emphasizes different aspects of Lord Jagannath’s divinity, providing various ways for devotees to connect and worship.
Patitapaban Jagannath – installed in Gumuta Griha at the main entrance of the temple, need of installation occur because of Gajapati Rama Chandra Dev (1732 to 1743 AD) had married one Muslim girl under circumstance occurred. He became irreligious, had no permission to enter temple premises & get the darshan to Shri Jagannath. But King was devoted to Lord Jagannath could not stay happy even if ruptured from Hinduism. He had obedient to Lord Jagannath Culture, for these reason pundits of Lord Jagannath Temple commiserate to Gajapati , and installed bigraha of Lord Jagannath near Singhadwara. King now privileged to get the darshan of Lord Jagananth from the grand road, known as Badadanda. From that day installed bigraha worshiped as Patitapabana.
Tirtheswar Jagananth – One another image installed near Western Gali of the Temple. The small shrine known as “Chardham Mandir”, some also call it Rameswar Mandir. Shri Jagannath bigraha ( idol ) is installed along with the reprehensive images of Badrinath, Rameswaram and Dwarika. It is said that Sankaracharya sacred all four iamges in this small temple. Locally told and believe that anyone has the ‘darshan’ of four deities her, devotee will have the benefits of Char Dham. The idol installed here is worshipped as Titheswara Jagannath.
Neelamadhab Jagannath – 3ft hight idol of Shri Jagananth is installed in Neelamadhab Temple ( Bhitara Bedha ) . Lord Jagananth has worshiped by the side of Neelamadhab Mahaprabhu. Neelamadhab is main deity of this shrine.
Bata Jagannath – 5ft height Lord Jagnnath named as Bata Jagannath according to name of Bata Brukhya ( Kalpa Bata ) . The idol has placed just near to south of Kalpabata. On the day of ‘Snana Purnima’, the Anasara rituals are observed in the temple of Bata Jagannath, the rituals of nabakalebara is also observed in the temple Bata jagannath. The ‘Pinda’ of bata Jagananth is buried in koili Baikuntha. Interestingly Arnaprasad is not offered to Bata Jagananth, sevaka offer dry ‘bhoga’ includes ‘Ballav’, ‘Kakara Pitha’ and Kora. Bhakti Cult saint poet Atibadi Jagananth Das had written Odia Bhagabata in front of Batabihari Jagannath. Chaitanya Mahaprabhu had met Jagananth Das and bestowal the title ‘Atibadi’ for great spiritual expositions on Bhagbata Odiya. Bata Jagannath is also worshiped as “Bhagbata Kalia” in the Grand Temple ( Bada Deula ). charya Baladev Vidyaratna had written here his famous commentary on ‘Brahma Sutra’, known as ‘Govinda Bhasyam’. Chandan Hajuri (Chakhi Khuntia ) one great patriotic poet had written many beautiful vajan near Bata Jagannath.
The concept of the four idols of Lord Jagannath inside the Jagannath Temple reflects the deep spiritual diversity and inclusiveness of Jagannath culture. These four forms—Patitapaban Jagannath, Tirtheswar Jagannath, Neelamadhab Jagannath, and Bata Jagannath—symbolize different aspects of the same Supreme Lord, allowing devotees to connect with Him in multiple ways.
Rather than being limited to a single form, Lord Jagannath is worshipped in varied manifestations across the temple परिसर, each representing accessibility, protection, pilgrimage, and ancient divinity. This aligns with the broader tradition where Jagannath is seen as a universal deity beyond boundaries of caste, place, or status.
In conclusion, these four idols emphasize that Lord Jagannath is not confined to one image or ritual but is present everywhere for every devotee. They beautifully express the philosophy that the Lord is all-inclusive, ever-accessible, and eternally compassionate, making the Jagannath tradition unique in Hindu worship.
The Grand Road (Badadanda) in the Pilgrim Town reverberated with the chanting of Jai Jagannath, Vedic hymns and ululations as devotees gathered in large number to catch a glimpse of the Daru for carving Lord Sudarshan which reached here on Friday morning.
Over two lakh devotees marched in a procession while some joined the Daitapatis in pulling the Sagadi to the temple. Several Sankirtan teams, religious flag bearers along with musicians blowing trumpets, beating cymbals and blowing conches led the Daru procession.
The Sagadi with the Daru was taken to Koili Baikuntha through the north gate of the temple. The Daru was then safely placed in the ‘Daru Gruha’, a special enclosure put up for carving the idols of the Trinity and Lord Sudarshan. The temple police would guard the enclosure round the clock.
As per the procedures in the Nabakalebara manual, the Patimahapatra would offer ‘bhog’ to the Daru everyday till the arrival of all Darus.
The Banajagis accompanying the Daru for Lord Sudarshan began their journey from Gadakhuntunia village at Balakati near Bhubaneswar to Puri on Tuesday. The Daru was wrapped with seven layers of silk cloth and tied with ‘Pattabasunga’, a special type of rope to secure it.
On the way to Puri, the Banajagis rested at Batamahavir temple in Pipili on Tuesday night and resumed their journey next afternoon. On Wednesday, they arrived at Biragobindpur and made the night halt at a Shiva temple. On Thursday, they reached Puri and stayed near Alamchandi temple near Atharnalla for the night. On Friday, the cart started rolling at about 8.30 am and it took the Banajagis about two hours to reach the Jagannath temple.
A team of 14 Banajagis, led by Nabakishore Patimahapatra, participated in the journey from Gadakhuntunia to Puri covering a distance of 52 kms. While adequate security arrangements were made by police along the route, the Sri Jagannath Temple Administration made provisions for the stay of the Banajagis.